Recently I've been trying out Dragon Naturally Speaking, the market leading speech recognition software.
I had two reasons for doing this. One is that I am not the world's best typist, and I thought perhaps this software might boost my productivity a bit.
The other reason is that many years of pounding a keyboard are starting to take a toll on my fingers. So there seemed good health reasons as well for giving this software a try.
So I bought a copy of Dragon Naturally Speaking 12 from Amazon. There is now a version 13 as well, but it costs almost three times as much. Looking at the description and the reviews, it appeared that version 12 would be perfectly adequate for my needs.
I have been using DNS 12 for about three weeks now, so I thought you might be interested to hear my initial impressions.
Installation of the software was reasonably straightforward, although certain aspects did not work and have never worked for me. For example, during the set-up you are asked if you are willing for your data to be uploaded anonymously to Dragon from time to time, so that they can use it to help improve the software's accuracy. Although I would have been perfectly happy to do this, the software simply refused to acknowledge my acceptance. In the end I simply had to cancel the request. There have been one or two incidents like this which indicate that the software can be a bit flaky on occasion.
The better news is that I have been generally impressed with the speech recognition. It certainly beats the IBM ViaVoice software that I tried out a few years ago.
The software does make mistakes, of course. However, it is usually quite easy to dictate corrections. For example, if it gets something wrong, you can say "Correct" followed by the word or phrase in question. DNS will then highlight this and suggest a list of possible alternatives. If one of these is correct you can just say "Choose 1" (for example) and the first alternative in the list will then be substituted.
The software also improves as it gets used to your voice, and you can add words that you use regularly to its vocabulary. Another nice feature is that you can set it to analyze your emails and documents for words and phrases you use regularly. Again, this should improve overall accuracy.
Finally, there are various training exercises you can do. These typically involve reading out chapters from a variety of books. It all helps, I guess.
One thing that I have found a bit frustrating is that the software seems rather partial to greengrocer's apostrophes. Frequently when I dictate a plural noun, DNS decides what I really want is a possessive. Correcting this is not as straightforward as it ought to be, as the plural version is seldom offered in the list of possible alternatives.
Another thing which has disappointed me is that while DNS 12 works fine in Microsoft Word, you can't dictate directly into many online applications and websites. In such cases you have to dictate into a stand-alone dictation box, and then transfer this to your browser.
Overall, nonetheless, I am reasonably impressed with Dragon Naturally Speaking 12. I find it works best with longer writing projects that don't involve too
much in the way of complex formatting or unusual characters. It could
be a good choice for novelists and popular non-fiction book writers, I'd have thought.
From my own perspective, I think the benefits from a productivity angle will be marginal. A lot of my work involves the insertion of HTML and other formatting codes, for example, for which DNS isn't best suited. Neither is it really ideal for posting short messages on social media.
On the other hand, the software is undoubtedly reducing the wear and tear on my fingers, and I am feeling the benefit from that. So I shall definitely be persevering with it!
If you have tried Dragon Naturally Speaking or any other speech recognition software, I should be very interested to hear your views. Any tips for a new user will be much appreciated as well! Please post your comments below as usual.
P.S. This blog post was (mostly) dictated using Dragon Naturally Speaking.
We're coming up to the end of October now, which means two things. One is that NaNoWriMo starts next week, so good luck if you are taking part in that!
The thing I wanted to focus on today, though, is that this time also marks the beginning of the main Christmas shopping season. That means if you're a writer with a book or e-book on Amazon, you should be promoting it extra vigorously in the coming weeks.
And, specifically, you should be promoting it as an Amazon Associate
(as Amazon calls its affiliates).
There are various reasons why
promoting your book as an Amazon Associate is a good idea. The obvious
one is that any sales generated via your link will attract commission
Assuming you're earning royalties on sales as well, in
effect that means you'll be getting paid twice over for every sale.
there's another particular reason to promote extra hard via Amazon just
now, and that's because you will receive commission from Amazon for ALL
purchases made by a customer who visits the store via your link. And at
this time of the year, in the run-up to Christmas (and Hanukkah) many
people are buying multiple items as gifts. If they do some or all of
their gift shopping via your link, you will earn multiple commissions.
Amazon doesn't pay a fortune to Associates, with commission starting at just 5
percent. Even so, if someone spends a lot of
money on a visit (and it happens at this time of year) the returns to
you as the referrer can be substantial. Darren Rowse (aka Problogger) regularly lists surprising things people have bought from Amazon on visits via his links. Here's one eye-opening list he posted a while ago.
you're not an Amazon Associate already, you can easily join by
scrolling down to the foot of the Amazon homepage, clicking on
Associates Program, and following the instructions to sign up. Note that
you will need to join each national store's Associates Program
separately to promote there.
Once you're in, Amazon have a
huge range of banners and widgets you can use on your blog or website.
They include, of course, simple image ads such as the one below for my novella The Festival on Lyris Five on Amazon UK...
can also have all manner of other widgets, including slideshows, word
clouds, best deals boxes, and so on.
Here's an example of a 'best deals' widget (optimized for electronics)...
can even have an Amazon search box, such as the one below. This allows
your website visitors to search the whole of the Amazon store concerned -
and again, if they make any purchases, you will be credited with the
Note that if you are receiving this post by email or RSS, you may need to visit my blog to see the sample ads and widgets.
course, it's possible that all you want is a simple text link. Oddly
enough, this isn't as straightforward as you might think with Amazon. They do provide code for plain text links, but this includes a lot of (probably superfluous) extra formatting information.
own approach is therefore to copy the code from the Amazon sales page (ending with the product reference number) and add on my own affiliate code at the end. So the 'barebones' URL for my e-book above would look like this:
would then incorporate this into my own text link. I'm not sure why Amazon
doesn't simply provide this code as an option, but the method above
works perfectly well for me, and I still get credited with commission as
Of course, one drawback with this approach is that such links only work with one specific Amazon store. When promoting to a world-wide readership, therefore, I highly recommend using a link-management service such as GeoRiot. This will create a single universal link that detects where a visitor is based and forwards them to the appropriate national Amazon store, optionally with your affiliate code included.
There is no charge for using GeoRiot, by the way – they simply take a certain proportion of clicks as 'payment', but this is done in such a way as to minimize the cost to yourself. I wrote about GeoRiot a while ago in this blog post. Here is an example of a GeoRiot link, for my e-book mentioned above: http://geni.us/1kW2
Good luck on Amazon, and I hope you sell lots of books, e-books and more expensive items as the festive season approaches!
Jon was kind enough to provide me with reviewer access to Kindle Kids Mastery, so here's what I found...
The course content for Kindle Kids Mastery is accessed via a dedicated members' website. This has the advantage that it can be continuously updated and expanded (and all buyers get lifetime access with free updates). Do remember to keep your log-in details in a safe place, though!
The members' site is attractively set out and looks very professional. The course consists of nine modules in total, each of which has up to seven units. Each unit typically contains an instructional video along with some online text. In some cases downloadable manuals in PDF form are provided as well.
The subjects of the modules are as follows:
1. Before you create your first e-book
2. Finding illustrations and creating your e-book cover
3. Creating your e-book using Kindle Kids Book Creator software
4. Uploading to Amazon and creating your Author's page
5. Bonus: Kindle marketing advice from the pros (with transcripts)
6. Bonus: Cheat Sheets
7. Bonus: How to find free and low-cost illustrations
8. Bonus: Kindle Kids Mastery checklist
9. Bonus: How to format and publish your e-book WITHOUT using Kids Book Creator
The video training is of high quality, using screen captures as required. The videos are presented by Jon himself or his partner Laura.
As I noted above, this is a comprehensive course. It takes you through pretty much everything you would need to know in order to write, design and publish an illustrated children's book on Kindle using Amazon's free Kindle Kids' Book Creator software.
I was impressed by the thoroughness with which Jon and Laura have researched this software and uncovered some quite creative ways of using it. For example, there are two units devoted to the use of pop-ups, a special feature incorporated within the software (but with little guidance provided by Amazon). There are some very clever and original ideas in the second unit in particular.
The module about finding and using illustrations (which is, of course, key to creating this type of book) is very thorough too. It reveals a wide range of resources you can use, many of which are inexpensive or free.
Using stock artwork is discussed as well, though Jon does point out that if you are going to do this, you should really adapt it in some way to ensure that it appears unique and original. Plenty of advice on how to do this is included.
I have very few criticisms of Kindle Kids Mastery. One (very) small point is that Module Nine recommends the use of Mobipocket Creator for formatting mainly text-based e-books. This is old software that has not been updated for quite a while. Admittedly it is free, but it would not be my first choice for formatting Kindle e-books nowadays. Still, that is not really the type of book this course is about.
As I have noted before on this blog, Amazon are currently trying to build their presence in illustrated children's e-book
publishing. This therefore represents a huge opportunity for authors
willing to take up the challenge (Jon also touched on this subject in his recent guest post on my blog). In addition, the release of the first Kindle Kids Tablet earlier this month raised the stakes even higher. It's now clear Amazon intends to go all-out on children's books,and they're giving authors the tools to help stock their store with books.
If this is something that interests you, therefore, now is a great time to get involved. Kindle Kids Mastery should get you up to speed with pretty much everything you need to know.
To remind you, the task for this contest was was to write a short story in exactly 100 words, which included the three words jade, conduitand effervescence.
In addition, entrants were asked to provide a title of
up to 15 words, which didn't count towards the 100 words.
The contest was judged initially by moderators Mairi (Ma100), Jeanette (Distant Sun) and Dawn, and then by published novelist Patrick Fox,
who chose the winner and runners-up from a shortlist. All the judges were extremely impressed with the standard of the stories, and in particular
by the many ingenious methods that were used to incorporate the three
key words! Over 100 stories were submitted in total, which is actually a record for any prize contest on myWritersCircle.
The judges were looking for stories that, even in just 100 words,
engaged them both intellectually and emotionally. They wanted
stories where the three key words fitted into the story in a natural and
unobtrusive way, rather than standing out like beacons. And, of course, they wanted stories that were well written; adhered to the 100-word
requirement; had a beginning, middle and an end; and had been checked
for spelling and grammatical errors. It was a challenging task, but I'm pleased to say that the winning
and short-listed stories met all of these requirements.
Of course, there can only be one first-prize winner, and I am pleased to
announce that this was The Deceiver by Jen13. Here it is:
Dazzling, jade green eyes. A conduit, she was convinced, to a union of bliss.
She’d never known this excitement. Her heart stuttered. She could not look away from those eyes, would do anything they asked of her.
An effervescent hiss when he spoke and she knew only need.
They were under an arching canopy of trees, shaded from the heat of the day.
The juice exploded and ran down her chin. In that moment, she knew he had told her only half-truths. She discovered fear for the first time.
She cried out as she ran, "Adam! Adam! I need you!"
Patrick commented, "The Deceiver is a cleverly written story that manages to conceal it is a
reworking of a familiar tale until the twist at the end."
The runner-up was The Further Adventures of John Drake, Special Agent by Grownup. Here it is:
The Further Adventures of John Drake, Special Agent
A wind chime sang as Drake pushed aside the beaded curtain. An oriental crouching behind a low bench glanced up as Drake sank to his haunches, placing a squat green figurine on the surface. The man grasped a bottle. Drake watched acid rise through the pipette's narrow conduit. Drops fell onto the base of the figurine, creating effervescent bubbles.
'Jade,' the man nodded, greedy eyes alight, 'Very valuable.
Drake grabbed the proffered wad of notes and dashed out.
Acid bled into the minute detonator and the opium den dissolved in an inferno of flame.
Patrick said about this: "The Further Adventures of John Drake, Special Agent fits comfortably
within the conventions of its genre and delivers a short, punchy story
that would be at home in any pulp detective magazine."
The third prize winner was My Hope by Sara. Here it is...
At first you gave me jade necklaces and ruby rings. We danced, laughed and lived. Then the War came.
And brought a hurried wedding with effervescent drinks in champagne flutes.
Now the postman brings your letters those days seem far away.
Do you remember?
Do you remember me?
I can’t picture your face, a blur in my memory where you should be.
Your letters talk of mud and uniformed boys lined up like water droplets in vast conduit trenches.
I don’t recognise the words.
It scares me.
Will you come back?
I hope more than ever as another letter drops.
Patrick said: "My Hope is a poignant study of a period in history. The hopes and fears
of its protagonist capture the atmosphere of what it must have been like
to live through that time."
The four other short-listed stories were as follows:
Into the Light by Malou Apprentices are More Trouble Than They're Worth by Grownup (again!) Under the Unknown Road by elevengrace The Wedding Night by sthomas37
I will be in touch with all the winning and short-listed writers in the
next few days with details of how they can claim their prizes, so please
keep an eye on your forum messages!
Congratulations to the successful writers, and commiserations to those
who did not win on this occasion. As I said above, the standard was
remarkably high, and with other judges, the results could easily have
Thank you again to all the judges, to
moderator Laura H for acting as forwarder (to ensure anonymity), and to
everyone who took the trouble to submit an entry and/or spread the word
about the contest. Big thanks as well to our sponsors, The WCCL Network, who kindly donated the prizes.
I hope everyone who entered the contest enjoyed it, and that it may
perhaps have stimulated your interest in writing these ultra-short
stories. If so, there are various websites devoted to the form that you
might like to check out (this one, for example). And there are regular flash fiction contests on MWCs Writing Games and Challenges board, of course.
Jon believes that the release of this tool illustrates how keen Amazon are to build their presence in illustrated children's e-book publishing, which in turn presents a huge opportunity for authors willing to take up the challenge. But I'll let Jon explain…
* * *
For a massive multinational company, Amazon sure has a way of sneaking up on folks.
That's exactly what they did on September 3 when, seemingly out of the blue, the giant online retailer released Kindle Kids' Book Creator, a free standalone software program that makes developing illustrated children's eBooks (picture books and illustrated easy readers) essentially point and click.
Two weeks later the other shoe dropped, with the announcement of The Fire HD Kids Edition, Amazon's first tablet created specifically for children.
Suddenly, the message became clear: the world's largest bookseller is going all in on children's ebooks... and they need content.
To writers raised in the traditional publishing paradigm (in which hundreds of authors fight for a handful of open slots at publishers) the new environment promises extraordinary opportunity. With the chance to design, produce, distribute and sell children's ebooks with little or no upfront investment, the landscape has changed almost entirely.
For authors willing to adapt to a new way of thinking, it's a change that will lead to massive benefits in terms of sales, reach and opportunity.
The Children's ebook Market
While print books aren't going away, ebooks have made steady inroads into the juvenile market. Led by the enormously popular electronic editions of such mega-hits as The Hunger Games trilogy, ebooks have come to represent between 15-20% of the total children's book market, a number that demonstrates both the changing habits of young readers and the significant portion of market share still left on the table for ebook authors and publishers.
That young people are fully wired is hardly a revelation, and the numbers back that up. According to Pew Research, 37% of teens own smartphones - a major jump over 2011 (21%). One in four own tablets. And it's not hard to guess which direction these numbers will head.
The last frontier, however, has been illustrated ebooks for younger children. It's much less likely for a six year old to have a dedicated tablet, and many parents are partial to the printed picture books of their youth.
Enter Kindle Kids' Book Creator and The Fire HD Kids Edition.
You've gotta hand it to Bezos and company. Rather than stick to established markets, they're essentially creating one. A niche that fits nicely between printed picture books/easy readers and interactive children's apps.
Their bet? That parents will see the appeal of low-cost, easily accessed Kindle children's books, and use ebooks to augment, not replace, printed picture books. And with The Fire HD Kids Edition, they've got the hardware to make it happen. Now they need the ebooks.
Or, more precisely, they need you to create those ebooks. And they're making it easy.
Looking at Amazon's Kindle Kids' Book Creator software
From the outside, it seems that Amazon is moving at breakneck speed to create and secure this new niche, and the software they've built to jumpstart the process shows it. Kindle Kids Book Creator is somewhat rough around the edges, particularly in the way it handles fonts (or, to put it more accurately, the way it fails to handle fonts) and it's lack of obvious features (no undo button? Really?).
It's not quite as intuitive as it could be, and the documentation is sorely lacking.
However, Amazon has already released a major update (making the font situation a bit better) and they're eagerly soliciting feedback. That's a good sign that makes us hopeful for future iterations of the program.
But even with those shortcomings, Kindle Kids' Book Creator still manages to do exactly what it promises - it allows anyone to create a landscape-oriented picture ebook that looks professional and ready-to-sell. And it outputs it cleanly for submission to Amazon's KDP (Kindle Direct Publishing) platform.
(And so we're clear - ebooks created by the software and distributed via Amazon can be read on devices other than dedicated Kindle e-readers. With free Kindle apps available for PC, Android, Mac and iOS, Kindle ebooks have almost universal reach.)
How to Take Advantage of This Opportunity
Amazon, of course, cannot make you a successful children's ebook author. That's still on you, and it's dependent on authors maintaining some practices and mindsets from the past, while adopting some entirely new perspectives that are becoming increasingly relevant.
To begin this conversation, I'd like to highlight four key things all authors must keep in mind:
Craft is King. Let's be honest: the democratization of publishing will result in massive, huge, steaming piles of garbage dumped onto the marketplace. I shudder to think of the thousands of fart books, imbecilic talking animal stories and preachy, moralistic tracts about to be foisted upon us. Really folks, it's about to get ugly.
In a market with such an absurd signal-to-noise ratio, the only way books will succeed is via word of mouth. Parent to parent. Kid to kid. And, whether read on papyrus, paperback or tablet, bad books don't get talked about, they get forgotten. It's good books (or even better great books) that get talked about, that get shared, that get purchased.
For that reason, take the craft of writing for children seriously. If you haven't written a book that engages and delights a young reader (or the reader's parents), all the digital wizardry on the planet can't save you. Learn to write for children. Worry about publishing later. (To get a master class in children's writing, check out http://writeforkids.org)
Don't Do Everything Yourself. Sure you can now publish a picture ebook without spending a dime, but you probably shouldn't. Hire a freelance editor to polish your prose. Get the best illustrations you can afford. Hire a talented cover designer. Get some marketing help. If you want to be taken seriously, you need to take the process seriously.
Don't Be Ordinary. The vast majority of authors who use Kindle Kids' Book Creator will output ebooks that look and feel similar. Some text, some pictures. A cover. That's fine, but the software can do more, and you should take full advantage. In particular, the ability to add pop-up boxes can lead to some really cool app-like functions, such as interactive treasure maps and hidden "easter eggs". There's nothing in the documentation about this, so it requires some exploration and experimentation. Dig deep into the software and look for ways to stand apart.
You're Still an Author, but Now You're an Entrepreneur, Too. The fact that you're reading Nick's blog tells me that you already understand the importance of treating writing as a business. But, in case you need a refresher, here goes: If you have any desire to sell eBooks and build an ongoing career, you must actively market yourself and your books, and you must build strategic alliances wherever possible. If you don't like the idea of being a "marketer", fine. Call it "advocacy" or "message sharing" or "awareness raising", but, whatever you name it, you need to come to terms with the reality of things. Right now, no one out there cares about you or your ebook. It's up to you to make them care.
It's not every day when an industry's "800 pound gorilla" actively solicits help to create a new niche. And yet, here we are. Amazon is wagering that illustrated Kindle children's books will become a significant market force, and that's a bet that simply cannot be ignored.
If you're ready to take a piece of that action, your time has arrived. Get to work.
Byline: Jon Bard is the Managing Editor of Children's Book Insider, the Children's Writing Monthly, and co-creator of Kindle Kids Mastery, a complete course for authors who wish to use Amazon's Kindle Kids Book Creator to publish illustrated Kindle books. Learn to design and publish an ebook, find illustrations and cover designs, use pop-ups, market and sell your ebook in a simple step-by-step fashion. Get more details at http://kdpmastery.com/kindle (and use the discount code NICKDAWS
to get $70 off the full price).
* * *
Thank you to Jon for a very interesting and authoritative article.
Jon has kindly allowed me reviewer access to Kindle Kids Mastery, so I shall be publishing my findings on this blog soon. I should like to thank him as well for offering my readers a $70 discount.
If you have any comments or questions, for either Jon or myself, please feel free to post them below as usual.
Today I am pleased to bring you a syndicated guest post from freelance editor and book doctor Joyce L. Shafer.
In her article Joyce looks at something that often confuses new writers, the matter of which tense they should write in.
* * *
It doesn't occur often, but occasionally a client sends me a
manuscript written in a moment-by-moment manner, as the story is
supposed to be happening. Example: Mary walks into the room and looks
around. She sees the vase has been moved and puts it back into its
proper place. Mary then walks to the sofa and adjusts one of the
Sorry, but this is not a novel--it's stage directions for
a play. And this is never ever how a novel should read. An acquaintance
shared that an agent told him his manuscript would never be considered
as long as it's written in this manner. His is a compelling story (based
on the few chapters he let me read); but until he revises it, it will
stay a file on his computer and an unfulfilled dream, unless he
self-publishes it as is, which is not a good idea.
A client who
wrote her novel this way approached me initially for a critique
(developmental evaluation). Among other creative and technical
suggestions, I advised her to revise the entire manuscript so it was in
the proper tense and so that proper editing could be done. Yes, I could
have rewritten it for her as part of developmental editing services
instead of a critique, but that would have taken a good deal of time and
expense; plus, she learned a great deal from the revision experience.
Her book has an agent's interest, which would not have happened
I ask you to consider why people read novels (and
non-fiction) of any genre--it's so they are taken into a
mental/emotional space different from the one they're in. They want to
sit back and let the story be a movie in their minds. A novel written in
present tense (action as it happens) does something specific: it
requires the reader to work. It's akin to asking a viewer to watch a
movie on the screen and act out the parts of the characters at the same
time, rather than sit back, watch, think, and feel.
style (and a few others) does something specific: It takes readers out
of the reading experience they expect to have. This is not something
readers appreciate. Readers prefer not to be reminded they're reading.
They want the story to engage them, yes, but not in this way. A balance
has to happen with writing--what's good for the writer and what's good
for the reader. If only the writer is satisfied, this does not bode well
for the book or the writer.
Anything that takes readers out of
the reading experience is best avoided (writing style, typos, seriously
misused punctuation, junk words, extraneous scenes and dialogue, etc.).
You do have to trust your head-and-heart alignment about your writing,
but you also benefit from paying attention to readers' responses to it,
which includes responses from a developmental editor, whose primary
concern is or should be to help you make your book the best it can be.
client wrote a short story as part of a collective and did use
as-it's-happening narrative in that one instance. But we handled this in
a specific way: We made it a news-type story delivered by a narrator,
which was integral to the story, and is akin to listening to an
announcer on the radio. Had it not been crafted this way, it wouldn't
have worked and would have contrasted with the other stories in the book
that were written in the proper tense. It's one thing to do this in a
way that works for a short story and another for a lengthier novel. You
don't want to wear readers out while reading, if they'll stick with it,
I say this because I'm not just a developmental editor.
I'm also an avid reader of many fiction and non-fiction genres. If the
way a fiction or non-fiction book is written (which includes memoirs)
annoys me, I won't read it (it's different, of course, if I'm wearing my
editor cap). I've been trying to slog through a book someone gifted me
with that annoys me no end to read. Nearly every sentence--and this is
not an exaggeration--starts with a gerund or a participle. There are
other annoying factors, but this one really stymies my ability to get
through the book to learn what the author meant to convey. (Example:
Understanding a choice had to be made Mary walked to the window and
looked out. Realizing the choice wouldn't be easy she stared out the
window, yet saw nothing. Walking to the door she put her hand on the
knob and paused. Turning the knob she walked out; her decision made.
Knowing what she had to do, she dialed Mike's phone number. Hearing him
answer after the first ring, she hesitated.) Perhaps you can see how
tedious it becomes to read something written in this way. And, sadly, it
seems it could be a good book (based on the relatively few pages I've
managed to read), if only an editor had advised the writer properly.
get back to writing tense. It's also important that you don't change
tense in narrative, something I have seen a few writers do. (Example:
Mary walked into the room and looked around. She sees the vase has been
moved and puts it back into its proper place.) You can shift tense in
dialogue because people do speak in past, present, and future tense; but
you have to stick to one tense--the right tense--in narrative. Now,
relax and write tense well.
I wish you the best with your writing and progress.
Need a Book Doctor or an incentive to write or complete your
manuscript? Let Joyce L. Shafer be your writing coach, developmental
editor, or provide a critique. Details about her services at http://editmybookandmore.weebly.com/
Thank you to Joyce for an interesting article (although I did wonder why she never referred to past or present tense until the last paragraph!).
Personally I wouldn't go as far as to say that fiction should never be written in the present tense. I have read a number of books and stories in which it has been used successfully (I discussed this a few years ago in this post).
However, it is certainly true that readers and publishers generally expect novels to be written in the past tense, and if you choose to write in the present, you are creating an extra obstacle for yourself.
If you have any comments or questions about this article, as ever, please do post them below.
Readers who have been with me for a while will know that one of my regular clients is More Money Review.
This is a UK-based website that publishes unbiased, independent reviews of home money-making opportunities of all types. I strongly recommend checking it out!
In today's post I want to highlight a couple of products I reviewed for MMR recently that I was especially impressed with. These are both products intended for people who want to create money-making niche websites.
These are, of course, sites that target people with a particular
interest. That interest might be anything from container gardening to
roller-coaster riding, solar panels to writing for children.
This can be one of the best - and easiest - methods of making money online; and because it involves creating in-depth content that is attractive to people interested in the niche in question, it is especially suitable for people with writing skills.
Once you have such a site, you can monetize it with links to
related affiliate products, Google AdSense ads, and perhaps your own products
such as e-books. Some visitors to your site will hopefully click on your ads
and make purchases, thus generating an online income for you.
One of the most popular tools for creating niche content sites
is WordPress. As you probably know, this is a software platform that can provide a ready-made
infrastructure for your site, meaning you don’t need to be an expert programmer
or website designer yourself.
Even so, there is a learning curve to negotiate. There is
therefore no shortage of books, e-books and courses aimed at would-be entrepreneurs
promising to get them up to speed with WordPress. Wealthy Affiliate and bizXpress are two of the
better such products I have looked at recently.
Wealthy Affiliate Wealthy Affiliate takes the form of a membership site. It is
run by two Canadian entrepreneurs, Kyle and Carson. Basic membership is free,
while premium membership (which gives access to all the training and various additional
resources and benefits) costs $47 (about £29) a month. You can sign up for free membership here.
As a free member you are obviously not able to access all areas on the site, but you do nevertheless get access to the entire 'Level One' training. This consists of ten in-depth lessons that take you step by step through researching a niche for your first WordPress site, and setting it up.
As a free member, you are also allowed to have two WordPress sites hosted by Wealthy Affiliate. This means you can apply the lessons you learn in Level One and have your own complete and functioning WordPress site (or sites) by the end of it.
Admittedly, to learn how to make money from your site and drive traffic to it, you will need to sign up for premium membership (or teach yourself these skills). Even so, if you want some basic training in WordPress website creation, Wealthy Affiliate free membership represents a pretty good deal.
Note that you will need to be an MMR member and logged in to read the whole thing, but registering is free and only takes a moment.
Like Wealthy Affiliate, bizXpress is a training course (with additional resources) for anyone who
would like to set up a money-making niche website using the WordPress platform. And again, you can sign up for free or paid-for membership.
At the heart of bizXpress is a WordPress plugin that gives you access to all
the bizXpress training and other resources from the dashboard of your own WordPress
site (although you can also access all the content directly from the bizXpress website).
Again, some content is only accessible to Pro (paying)
members. In particular, there is a ten-module training course, but only modules one to three are available to free members. These take you through choosing and researching a niche for your site, but not actually building it.
Full membership of bizXpress costs $149 a year, although (as with Wealthy Affiliate) you can of course cancel at any time. This is obviously quite a bit cheaper than Wealthy Affiliate, although you don't get hosting for your site included.
Both these products include a wide range of other resources and research tools as well. They also have active members' communities, where you can ask questions and share tips and ideas with other users of the product in question.
In my view, both Wealthy Affiliate and bizXpress are well worth a look if you are interested in niche website building, or simply want to improve your WordPress skills. Do check them out, and read my in-depth reviews on More Money Review as well.
As ever, if you have any comments or queries, please do post them below.
They produce cutting-edge brainwave entrainment products, which use a variety of techniques to help users control and alter their mental state. An example is their Zen12 meditation program, which I mentioned in this recent post.
I wanted to let you know today about a new giveaway Inspire3 are running this month. They have just launched a new website called Subliminal Guru, from which they are selling subliminal MP3 albums.
These are special MP3 audio files that contain thousands of powerful, positive
affirmations. The idea is that you listen to them while you get on with your day. The affirmations gradually
filter through to your subconscious, helping you to change your
life - literally from the inside out.
As a way of introducing the new store, they are currently giving away a choice of two of their top-selling subliminal albums, along with a voucher giving you a 10 percent discount on any purchases you may like to make in future.
The albums you can choose from include "Master the Law of Attraction", "Think Yourself Rich", "Lose Weight
Fast", "Rocket Your Self-Confidence" and "Get a Photographic Memory."
Each album comes with 6 x 10-minute MP3 sessions. That's six subliminal recordings in different
musical styles, including Acoustic mix, Brown
Noise mix, Rainfall mix, Relaxation mix, Stream mix, and Workout mix. You can listen to whichever takes your fancy.
Albums also include a bonus audio, a spoken subliminal
MP3. This uses a mixture of spoken affirmations and subliminals. You also get versions of all seven MP3s,
but with brainwave entrainment incorporated, to help take your mind into a receptive state while listening.
Each Subliminal Guru album comes with 2 hours and 20
minutes of audio. With this generous free offer, therefore, you are getting almost five hours of inspirational audio.
There is, of course, no obligation to buy anything, although obviously if you benefit from listening to these MP3s, Inspire3 hope you may consider buying from them in future.
If you have any comments or questions, as always, please feel free to post them below.
If you are interested in subliminals, I should also mention that my sponsors The WCCL Network have a product called Subliminal Power (see below) which offers similar benefits to the Subliminal Guru MP3s, although it works by flashing up brief messages on your computer screen while you are working. Do check it out as well!
Cindy Vallar is a retired librarian, who first researched pirates for her upcoming historical novel about Jean Laffite and the Battle of New Orleans. Today she is the editor of Pirates and Privateers, for which she writes a monthly column on the history of maritime piracy, reviews fiction and non-fiction books on piracy, and maintains an annotated list of the best piracy websites.
Her debut historical novel, The Scottish Thistle, is the story of the Camerons and MacGregors during Scotland's Rising of 1745.
Her comprehensive, award-winning website, Thistles and Pirates – http://www.cindyvallar.com – includes links to her research sites, pictures and descriptions of Scotland, castles and much more, and is updated monthly.
Q - Where were you a librarian?
A - I primarily worked as a librarian at two Catholic schools, a private elementary school, and a level 5 school for severely emotionally challenged adolescents. I also worked in a special library and as a reference librarian in a public library.
Q - I imagine that your library skills come in handy in doing your research. Can you think of any that really helped you?
A - Knowing how to do research and where to find the needed information has been invaluable. It also saves time. Organization is also a big plus because it allows me to arrange my notes and resources in ways that provide easy access to them when I need the information.
Q - In 2005, the Commissioner of Clan Cameron in North America invited you to the clan's North American Rally, where he surprised you with the first Friend of Clan Cameron Award. Have you used this award to help promote your book? If so, how?
A - I include it in my promotional materials about The Scottish Thistle, and in biographies that promote my workshops on Scotland.
Q - When you travel to Scotland, I understand you don't buy many souvenirs, mostly books. Do you think you will see the day when your book is offered for sale there? What has to happen to make it so?
A - Actually, it's already available as an e-book from Amazon UK. Whether my publisher, who holds the English-language rights to The Scottish Thistle, intends to offer the book in print overseas, I don't know.
Q - You review books on maritime piracy of your own choosing, but general historical fiction must come from Historical Novels Review. Can you recall a book from each category that you gave five stars?
A - At Pirates and Privateers two recent books that received five stars are MaryLu Tyndall's The Ransom and Joan Druett's Judas Island. We don’t give 5-star reviews at HNR, but I highly recommended Dan Smith's Red Winter.
Q - How do you do your research? Internet, books, e-books, travel? Do you find useful information in the books you review, even historical novels not about piracy?
A - All of the above. I have an extensive library in my home, but I also use the public library and its inter-library loan privileges, as well as quality resources available on the Internet. I read books in a variety of formats and I often travel to the places depicted in my novels. Many stories, both non-fiction and fiction, have provided me with either information or inspiration for my own manuscripts.
Q - You have said that pirates of yore operated mainly after a war, whereas today's pirates operate anytime. Is there any other difference between yesterday's pirates and today's?
A - What I said was that the most prolific periods of piracy occur after a war, but pirates prowl even in times of peace, including today. A primary difference between yesterday and today's pirates is in the ships and 'tools' of their trade. In the past they used sailing ships and attacked using cannons, swords, and pistols. Today, pirates travel in speed boats and have modern technology and automatic weapons at their disposal.
Q - You teach on-line courses. What were the latest topics you covered?
A - The most recent have been...
Researching and Writing Historical Fiction
Age of Sail
Evolution of the Highland Clans from Medieval Times through the Clearances
Scottish Highlands of the 17th and 18th Centuries
Here Be Dragons
I also teach workshops, both on-line and in person, on piracy, Scotland's Otherworld, the British Royal Navy, Norse Scotland, and self-editing.
Q. What tips can you provide about writing historical fiction?
A - You have to like to do research and lots of it. You want to immerse yourself in the time period, the culture, and the way people lived and dressed back then. Study the craft of writing. Read historical fiction. When you write, remember that story comes first, history comes second; otherwise you're writing non-fiction rather than fiction. Most importantly, never give up your dream.
Cindy was interviewed by Francine Silverman, editor of Book Promotion Newsletter, an on-line publicist, compiler of 16 e-books of talk radio shows and host of a weekly radio show, Fraternizing with Fran – where interesting people come to chat. Visit her website at http://www.talkradioadvocate.com and her blog at http://talkradioadvocate.blogspot.com.
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Thank you to Cindy and Francine for an interesting interview on an area of fiction-writing that - I freely admit - I know very little about.
If writing - or reading - historical fiction is something that appeals to you, do take a moment to check out the links above.
And as ever, if you have any comments or queries for Cindy or Fran (or for me), please do post them below.